We are currently accepting artist proposals for our residency program:
701 CCA offers an Artist-in-Residence (AIR) program in a 1,200 square-foot live/work unit on the second floor of 701 Whaley.
Artists in residence at the center create new works while in residence. Generally, an exhibition or some public presentation of these works takes place during or shortly after the residency.
In most cases, artists in residence are also expected to involve the community in some fashion. Professional artists are selected through a competitive selection process and may be local, regional, national or international. Residencies last for six, ten or twelve weeks.
For more information on applying contact email@example.com or click the apply button above.
Current Artist-in-Residence: Janet Orselli
Residency: October 1 - January 20, 2019
Janet Orselli is an artist who creates drawings, object sculptures and site-specific installations. She holds a Masters of Fine Arts degree from Clemson University and has been selected to participate in artist residencies at Anderson Ranch, Colorado, Spring Island, SC and Kaiserslautern, Germany. Janet has received three Regional Artist Project Grants from the NC Arts Council and was awarded a national Pollock-Krasner Foundation Fellowship. She has had over a dozen solo exhibitions including OK Harris Works of Art, NYC and the Gibbs Museum, Charleston, SC. Her work is featured in the book, 100 Southern Artists. Janet will be the Fall 2018 Artist in Residence at the 701 Center for Contemporary Art, Columbia, SC with a solo show in January 2019. She teaches art and lives in Tryon, NC.
Learn more about this artist by clicking here: Janet Orselli
Exhibition: January 17 - March 3, 2019
Object Tales by Janet Orselli: Thursday, January 17, 6 pm
Opening Reception: Thursday, January 17, 7-9 pm
re:Visions presents work from interdisciplinary artist Janet Orselli of Tryon, N.C. Orselli combines and assembles found objects and surrounding spaces transforming their meaning and the viewers' experience. Each object speaks of what it once was, its unique history, yet at the same time it becomes something new and unexpected. Orselli’s work requests a slower pace, referring back to a time when objects were cherished and made with care.
One hour prior to the opening reception, Orselli will give an artist talk in the form of storytelling from the point of view of her objects.
Previous Artist-In-Residence: Brittany M. Watkins
RESIDENCY: AUGUST 6 - SEPTEMBER 16, 2018
Brittany M. Watkins is an interdisciplinary artist based in Georgia & Florida. Her installation-based practice incorporates painting, sculpture, audio, video, and performance as she moves back and forth between physical and theoretical spaces. Watkins received the Juried Panel Prize ($25,000.00) in ArtFields 2017 for her installation titled:
BRITTANY WATKINS: AFFECT-ED, BEING
EXHIBITION PERIOD: SEPTEMBER 13 - OCTOBER 28, 2018
ARtist Talk & Reception: THURSDAY, SEPTEMBER 27, 6pm & 7-9pm
Contemporary psychology defines affect as the feeling or experience that is associated with an emotion or the act of displaying and exhibiting emotions through gestures or facial expressions.
AFFECT-ED, BEING offers a contemporary approach to portraiture and being through a series of installation-based, painting, sculpture, video, and performance works. Each object presented, is rife with narrative-based signifiers highlighting the individual’s place among society alongside the functioning of the human mind.
As paint coats the surface, this life is re-contextualized with purpose, enhanced for public display. Site-specific installation is paired with bright colors, dramatic lighting, audio and video to provide a sensory experience that will lead viewers throughout the psyche/space. Each persona hinges on my embodiment of the subject, as insecurity, dependence, compulsion, etc. (the human condition) are employed visually and/or metaphorically in the process/final presentation. A cycle of obsessive-compulsive behaviors and subconscious, coping mechanisms are revealed in the daily interactions between the self-aware object and the complex, yet fragile human. Non-traditional materials, once discarded from the home, range in use, historical context, and class as they place the individual experience within the framework of contemporary art for a subversive look at consumption.
Yvette Cummings Arendt of Conway, SC was our 2016 701 CCA Prize winner. She will be completing the second half of her residency at 701 CCA in May. The first half was completed in May of 2017. Her current body of work presents a moment of transition between experiences of recalled child abuse and the dynamics of motherhood. She explores the relationships her daughters have with one another and the complicated path of youth, beauty, and femininity. The struggles of adolescence include navigating the dynamics of family, sibling rivalry, and transitions into adulthood. She depicts her daughters during these times in relation to one another, and herself.
Cummings uses damask and floral patterns to flatten the spatial aspects of the work. These very traditional patterns create a visual abstraction and represent the confusion that occurs over time and space. Te figures are pushed to the foreground, and in contrast to the patterns, challenge our role in the gaze we place on adolescence and the expectations that come with beauty. During her residency, Cummings will further explore these themes.
This solo exhibition will feature work created throughout the duration of Cummings’ residency that explores themes outlined in detail above. The show will be comprised of two-dimensional paintings and installations.
EXHIBITION PERIOD: JULY 12 - AUGUST 26, 2018
ARTIST'S RECEPTION: THURSDAY, JULY 12, 7-9 PM
Reception Admission: members, free; non-members, $5 suggested donation