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Artist-in-Residence

 

We are currently accepting artist proposals for our residency program:

701 CCA offers an Artist-in-Residence (AIR) program in a 1,200 square-foot live/work unit on the second floor of 701 Whaley.

Artists in residence at the center create new works while in residence. Generally, an exhibition or some public presentation of these works takes place during or shortly after the residency.

In most cases, artists in residence are also expected to involve the community in some fashion. Professional artists are selected through a competitive selection process and may be local, regional, national or international. Residencies last for six, ten or twelve weeks.

For more information on applying contact director@701cca.org or click the apply button above.


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Current Artist-in-Residence:

Janet Orselli

Residency: October 1 - January 20, 2019

Exhibition: January 17 - March 3, 2019

Janet Orselli is an artist who creates drawings, object sculptures and site-specific installations. She holds a Masters of Fine Arts degree from Clemson University and has been selected to participate in artist residencies at Anderson Ranch, Colorado, Spring Island, SC and Kaiserslautern, Germany. Janet has received three Regional Artist Project Grants from the NC Arts Council and was awarded a national Pollock-Krasner Foundation Fellowship. She has had over a dozen solo exhibitions including OK Harris Works of Art, NYC and the Gibbs Museum, Charleston, SC. Her work is featured in the book, 100 Southern Artists. Janet will be the Fall 2018 Artist in Residence at the 701 Center for Contemporary Art, Columbia, SC with a solo show in January 2019. She teaches art and lives in Tryon, NC.

Learn more about this artist by clicking here: Janet Orselli


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Previous Artist-In-Residence: Brittany M. Watkins

RESIDENCY: AUGUST 6 - SEPTEMBER 16, 2018

Brittany M. Watkins is an interdisciplinary artist based in Georgia & Florida. Her installation-based practice incorporates painting, sculpture, audio, video, and performance as she moves back and forth between physical and theoretical spaces. Watkins received the Juried Panel Prize ($25,000.00) in ArtFields 2017 for her installation titled:

BRITTANY WATKINS: AFFECT-ED, BEING

EXHIBITION PERIOD: SEPTEMBER 13 - OCTOBER 28, 2018

ARtist Talk & Reception: THURSDAY, SEPTEMBER 27, 6pm & 7-9pm

Contemporary psychology defines affect as the feeling or experience that is associated with an emotion or the act of displaying and exhibiting emotions through gestures or facial expressions. 

AFFECT-ED, BEING offers a contemporary approach to portraiture and being through a series of installation-based, painting, sculpture, video, and performance works. Each object presented, is rife with narrative-based signifiers highlighting the individual’s place among society alongside the functioning of the human mind. 

As paint coats the surface, this life is re-contextualized with purpose, enhanced for public display. Site-specific installation is paired with bright colors, dramatic lighting, audio and video to provide a sensory experience that will lead viewers throughout the psyche/space. Each persona hinges on my embodiment of the subject, as insecurity, dependence, compulsion, etc. (the human condition) are employed visually and/or metaphorically in the process/final presentation. A cycle of obsessive-compulsive behaviors and subconscious, coping mechanisms are revealed in the daily interactions between the self-aware object and the complex, yet fragile human. Non-traditional materials, once discarded from the home, range in use, historical context, and class as they place the individual experience within the framework of contemporary art for a subversive look at consumption.

 
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Previous Artist-in-Residence:

Yvette Cummings Arendt of Conway, SC was our 2016 701 CCA Prize winner. She will be completing the second half of her residency at 701 CCA in May. The first half was completed in May of 2017. Her current body of work presents a moment of transition between experiences of recalled child abuse and the dynamics of motherhood. She explores the relationships her daughters have with one another and the complicated path of youth, beauty, and femininity. The struggles of adolescence include navigating the dynamics of family, sibling rivalry, and transitions into adulthood. She depicts her daughters during these times in relation to one another, and herself. 

 Yvette L. Cummings,  When The Magpie Came , 2016, acrylic on canvas,48”x48”

Yvette L. Cummings, When The Magpie Came, 2016, acrylic on canvas,48”x48”

 Yvette L. Cummings,  Voyeur Series , 2015–16, acrylic and cut paper on canvas, 15 panels, 14” x 14” each

Yvette L. Cummings, Voyeur Series, 2015–16, acrylic and cut paper on canvas, 15 panels, 14” x 14” each

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Cummings uses damask and floral patterns to flatten the spatial aspects of the work. These very traditional patterns create a visual abstraction and represent the confusion that occurs over time and space. Te figures are pushed to the foreground, and in contrast to the patterns, challenge our role in the gaze we place on adolescence and the expectations that come with beauty. During her residency, Cummings will further explore these themes.

This solo exhibition will feature work created throughout the duration of Cummings’ residency that explores themes outlined in detail above. The show will be comprised of two-dimensional paintings and installations.

EXHIBITION PERIOD: JULY 12 - AUGUST 26, 2018

ARTIST'S RECEPTION: THURSDAY, JULY 12, 7-9 PM

Reception Admission: members, free; non-members, $5 suggested donation